CineNews: The first trailer for Meet the kids (Little Fockers)
E 'arrival in the third film in the series with Ben Stiller and Robert De Niro: after Meet my and Meet the Fockers? is the third chapter in the series to be released in the U.S. this Christmas with Little Fockers title (which should be published in Italy in Meet the small ).
In this new episode are confirmed all actors of the previous films, except for Dustin Hoffman, joins the cast as Harvey Keitel, Laura Dern and Jessica Alba.
to manage this increasingly rich cast of major stars, we will no longer Jay Roach (director of the first two episodes) Paul Weitz, but that is not new to comedy, he directed the funny fact About a boy and the adolescent American Pie.
below the first trailer of the film, which was made public a few days ago:
You have not heard of the movie in Italy, but we hope the result is the height of the previous chapters.
He would have been 90 years now and this post wants to be a simple way to say Happy Birthday Albertoni!
I remember well the day I learned of his death, I was attacked by an incredible emotion, I almost got the news of the death of a dear relative.
Alberto Sordi was in years, a brother, a father, an uncle and a grandfather to us all: it embodied a popular consciousness like no one has ever managed to do before he and difficlmente will in the future. Write
of its importance in the world of Italian and world cinema, rather than praising the many donations and charity work that he carried out would be to add ink to rivers and streams of words expended for its immense talent and great heart.
I have always felt very close in Alberton, the enormous legacy he left us means that his memory will never fade, and it is therefore my intention to celebrate his birthday with one of the many historical scenes that gave us the During his stupenda ed immensa carriera.
Finalmente, dopo un'attesa di un anno, è uscito in Italia Bright Star il film diretto da Jane Campion ( Lezioni di piano ) che narra la storia d'amore tra il poeta inglese John Keats e la sua vicina di casa Fanny Brawne, divenuta la musa ispiratrice delle sue poesie.
Il film in realtà è del 2009, ha partecipato al 62° festival di Cannes ma è uscito nelle sale italiane soltanto Venerdì 11 Giugno.
Il film offre the opportunity to learn more about the late English poet through the eyes of the woman who loved him, perhaps the real star of the film, played movingly by the young Abbie Cornish, Australian actress, already seen in Elizabeth, who at times recalls his compatriot Nicole Kidman. Featuring a pace not really supported, but very intense, and with careful attention to follow the dialogues, the film stands above all for the beauty of the costumes (Oscar nominations and Bafta - the British Oscars), and for a wonderful photography.
Just the picture is worth a mention in my opinion aside, this fact raises the viewer's sudden desire to visit the English countryside, rich colors, featuring a nature that explodes around the characters, giving incredible scenarios. From greatly praise the work of the director of photography Greig Fraser who not only gives us magnificent paintings in every single shot, but even allows citation-free gifts, to the delight of palates finest artists of the past, one in every Hopper, giving life to their paintings.
Convincing actors: Ben Whishaw stars as John Keats, a young poet in debt and sick, and whose lives are disrupted by their being young Fanny, as interpreted by this a very good Abbie Cornish, fully immersive especially towards the end of the film. The two make love magnigicamente (chaste and pure) between the two characters, who love nothing more that can be transformed into poetry, a love of times past, to which the modern audience has, unfortunately, unaccustomed.
a shame that this film has been distributed under copyright only 99 Italian films, Jane Campion is because I really could give us another lesson, this time a lesson in poetry, renewing interest in a young English poet who, inter alia, has spent the last year of life in Italy, in Rome, where he was buried in the cemetery of the Protestants.
A film that deserves more than a vision to better appreciate the refinement of the dialogues.
Council who wanted to see him, to stop and enjoy all the end credits, accompanied by words of love poetry of Keats.
