Finalmente, dopo un'attesa di un anno, è uscito in Italia Bright Star il film diretto da Jane Campion ( Lezioni di piano ) che narra la storia d'amore tra il poeta inglese John Keats e la sua vicina di casa Fanny Brawne, divenuta la musa ispiratrice delle sue poesie.
Il film in realtà è del 2009, ha partecipato al 62° festival di Cannes ma è uscito nelle sale italiane soltanto Venerdì 11 Giugno.
Il film offre the opportunity to learn more about the late English poet through the eyes of the woman who loved him, perhaps the real star of the film, played movingly by the young Abbie Cornish, Australian actress, already seen in Elizabeth, who at times recalls his compatriot Nicole Kidman.
Featuring a pace not really supported, but very intense, and with careful attention to follow the dialogues, the film stands above all for the beauty of the costumes (Oscar nominations and Bafta - the British Oscars), and for a wonderful photography.
Just the picture is worth a mention in my opinion aside, this fact raises the viewer's sudden desire to visit the English countryside, rich colors, featuring a nature that explodes around the characters, giving incredible scenarios. From greatly praise the work of the director of photography Greig Fraser who not only gives us magnificent paintings in every single shot, but even allows citation-free gifts, to the delight of palates finest artists of the past, one in every Hopper, giving life to their paintings.
Convincing actors: Ben Whishaw stars as John Keats, a young poet in debt and sick, and whose lives are disrupted by their being young Fanny, as interpreted by this a very good Abbie Cornish, fully immersive especially towards the end of the film. The two make love magnigicamente (chaste and pure) between the two characters, who love nothing more that can be transformed into poetry, a love of times past, to which the modern audience has, unfortunately, unaccustomed.
a shame that this film has been distributed under copyright only 99 Italian films, Jane Campion is because I really could give us another lesson, this time a lesson in poetry, renewing interest in a young English poet who, inter alia, has spent the last year of life in Italy, in Rome, where he was buried in the cemetery of the Protestants.
A film that deserves more than a vision to better appreciate the refinement of the dialogues.
Council who wanted to see him, to stop and enjoy all the end credits, accompanied by words of love poetry of Keats.
Trailer:
A film that deserves more than a vision to better appreciate the refinement of the dialogues.
Council who wanted to see him, to stop and enjoy all the end credits, accompanied by words of love poetry of Keats.
Trailer:
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